Fri, May 13, 2022 | 8 pm
Rescheduled from Sept. 19, 2021 – Ticket buyers are being notified. Thank you for your cooperation. For further assistance please contact the Garde Box Office (860) 444-7373 ext 1 or firstname.lastname@example.org.
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Co-presented with The Katharine Hepburn Cultural Arts Center
It’s been quite the journey since the woman AllMusic.com declared “the most gifted vocalist of her generation” moved from small-town Kentucky to attend NYU film school in the 1980s. Osborne’s astounding voice drew attention when she joined the fun at open mic nights in downtown clubs, which eventually led to 1995’s Relish, “that rare breed of album where critical consensus, popular approval and enduring appeal unite,” according to American Songwriter. Since then, she’s performed with Motown’s revered rhythm section the Funk Brothers and toured with the Dead (where she first met and sang with Bob Dylan). She’s harmonized with Stevie Wonder at the Rock and Roll Hall of Fame, duetted with Luciano Pavarotti, and co-headlined a tour with the legendary Mavis Staples. She has amassed a loyal fan base as she’s continuously traveled the country.
“I feel like music has this important job to do right now,” Osborne says. “Part of that job is to help imagine a better future – and to hang on to hope. I want to play for people and get them up on their feet and dancing. To let music do that thing it does – bring joy and energy because we really need that right now.”
Madeleine Peyroux is an American jazz singer and songwriter who began her career as a teenager on the streets of Paris. She sang vintage jazz and blues songs before finding mainstream success in 2004 when her album Careless Love sold half a million copies.
Careless Love (2004) is a rich collection of cover versions with tunes from Bob Dylan to James P Johnson, and included Peyroux’s milestone rendition of Leonard Cohen’s Dance Me to the End of Love. For the sole original on the album, producer Klein and Jesse Harris co-wrote Madeleine’s signature tune and many fans’ favorite, Don’t Wait Too Long. With sales of half a million copies the album shifted Peyroux from the exclusive Jazz realm into the mainstream arena.